SM: Welcome to Sylvia Says, Steven. It’s great to have you as a guest on my blog, and all the way from one of my favourite cities—New York City! Today, I decided to start this interview with the last question first and ask you: “Are you David Grossman?”
SJG: Great to be in the land down under, Sylvia. And the answer to your question is no, I’m not David Grossman, though he and I are often mistaken for each other. David Grossman is my best-known fictional character and appears in all of my novels, serving me as a sort of fictional alter-ego. Through David’s decisions I get to imagine other life choices, which tend to be more imaginative and daring than my own.
SJG: My greatest advice to readers: Do not live a life stunted by regret. Regret is a self-inflicted poison that slowly degrades a person’s courage and self-esteem. People are generally happier when they are able to articulate their greatest regrets in order to render them null and void.
SM: The other thing I noticed is that your novels include aspects of what I might call the “paranormal.” What prompted you to do this?
SJG: Like many people, I am fascinated by experience beyond normal human understanding. In Grand View there is the mystery of the Potato Cave and communication with the dead via the Ouija board; in Grossman’s Castle there are the strange phenomena in the Castle and the appearance of ghosts; in The Deadline there is an Amazonian High Priestess who practices the dark arts of Candomblè. These examples of the paranormal add a sense of exotica and suspense to the plots.
SJG: There is someone who may (or may not) be a knife-wielding murderess. But I think she’s abnormal, not paranormal.
SM: Where did David Grossman come from? The idea of him, that is. I know he “speaks” to you and tells you he has more to say and this is why you wrote your fourth novel in the series. Care to elaborate a bit more on this?
SJG: About twenty-five years ago I wrote a novel called Grand View. The story takes place in a Jewish bungalow colony in the Catskill Mountains during one summer in the 1960s; the main protagonist is a young teen named David Grossman. Many years later, I reconnected with someone I knew when we were both teens. This woman is a screenwriter who had a big hit movie modelled on the bungalow colony where the two of us had once lived. My relationship with this woman inspired me to write Forty Years Later, which became my first published novel and featured David Grossman as a middle-aged man. A year later I wrote The Deadline, another novel featuring David Grossman as a Baby Boomer. Following the success of these novels, my publisher released Grand View and came up with the idea of marketing the books as the David Grossman Series. In March, Grossman’s Castle was published, my fourth David Grossman book. I never planned to write a series. I started with one book about a boy named David Grossman--and the series took on a successful life of its own.
SJG: In Grand View, Forty Years Later, and The Deadline, David Grossman is the first-person narrator. In a sense, each narrative is “limited” to David Grossman’s purview and perceptions. But In Grossman’s Castle I needed direct access into the minds of three other main characters, so I moved to a third-person narration. This point of view gives me limitless flexibility.
SM: Do readers have to read your novels in a certain order?
SJG: The novels are independent and can be read in any order, though most readers like to read them chronologically, following the sequence of David Grossman’s life: Grand View, Grossman’s Castle, The Deadline, and Forty Years Later.
SM: As novelists, we always reflect something within ourselves through our characters. What do you feel you reflect through David and your other major characters?
SJG: Emotionally speaking, I reflect my essential insecurity and my desire for a greater, more accomplished life. Practically speaking, I think I reflect my Baby Boomer culture: dying parents, failing health, unemployment, adulterous affairs, revised careers, paranormal events—all that is mundane and miraculous in life. My Boomer novels show that life after sixty is just as dramatic, sexy, and entertaining as any other time of life.
SJG: I signed with an indie publisher when the digital revolution was just beginning to transform the publishing industry. I had to come to grips with the idea that my books would not appear in a traditional paperbound format. As it happened, my first published novel, Forty Years Later, was a pretty big hit—an Amazon #1 best-seller. Almost immediately I had a sizable readership, which has continued to buy and read my books. I love the fact that my novels are inexpensive and available around the world. I’m told that my books have sold in more than thirty countries and on six continents. This is all very gratifying to me. I no longer have any regrets about my novels being available only as e-books.
SM: It seems to me that being an older author can be a distinct advantage. The lessons learned and the wisdom acquired are not things that most 20-, 30- or even 40-year-olds could write about successfully. My belief is that it’s not until we get into our 50s that we are truly “rounded off” as feeling and empathetic beings. What are your thoughts on this?
SJG: I agree with your thoughts. Being a novelist is not like a being a chess prodigy or a teen gymnast. Although there are exceptions, most successful novelists draw on their experiences hard-won over many years.
SJG: I am working on a new novel. Yes, it is a David Grossman novel. And it may be the strangest, most exciting one yet. Suffice to say, David Grossman is involved with a cast of colorful crazies that include a gambler, a wilderness expert, Stone Age Indians, and an old friend just released from Bellevue Psychiatric Hospital.
SM: Sounds great, and I wish you every success with it! Steven, I’d like to thank you for sharing your views with us today. It’s not always easy to open ourselves up and tell the world what we think and feel, but I think we are blessed if we can do this. Many people may not learn anything, but if we can touch one heart or one soul with the novels we write, then in my estimation we’ve done a good job.
It was great having you on Sylvia Says, and at the risk of sounding like a romantic fool I’m going to confess that every time I listen to Harry Connick, Jr., I think of you and NYC!
SJG: It was great being here, Sylvia. And when next in NYC, I owe you dinner.
SM: And I'll hold you to that, too!
For more information on Steven and his books, please click HERE.